This week London witnessed the expected media buzz that now goes hand-in-hand with the unveiling of the newest Fourth Plinth sculpture . Over the last few years the big reveal has become something of a big deal in the art world; presenting (if nothing else) the chance for contemporary art to demonstrate it still has the power to rankle and subvert. As the Mayor of London's website proclaims, the Fourth Plinth sculptures are "ambitious and provocative and question the role and nature of contemporary art in our public spaces." By that criteria, Marc Quinn's Alison Lapper Pregnant , Yinka Shonibare’s Ship in a Bottle , and Antony Gormley's One and Other certainly delivered the goods. Thoughtful, human, and provocative, these works challenged the traditional idea of monumental public sculpture as well as our notions about what we choose to celebrate. Sadly, this year's work misses the mark. Powerless Structures, Fig 101 by the Scandinavian artist-duo Elmgreen a...
On Summit provides occasional updates and content from Jeff Regensburger. Mostly it's about art, but there might be stuff about friends, music, museums and libraries too.