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Showing posts from February, 2016

Like Waving a Red Cape in Front of A Bull(y)

I recently reviewed Sold Out , the Tim Rietenbach exhibition at Angela Meleca Gallery for Columbus Underground. If you haven't had the chance to see it, go now. It's a terrific show that plants its flag in that aesthetic sweet spot just between incisive and cynical. It's an exhibition that's piercing in its cultural observations, but somehow generous as well. Rietenbach has an approach to art making that acknowledges the conceptual elements of art in the 21st century while managing to hold a high degree of visual interest. And while I discussed a number of the pieces in the show in some detail, I made absolutely no mention (save an illustration) of what was undoubtedly my favorite piece. For all it's apparent simplicity, Rietenbcach's Brutus serves as ground zero for so many potential discussions it's hard to know where to begin.   Tim Rietenbach, Brutus , 2015 33 1/2" x 31 1/4" Let's start with the formal elements. Brutus clearly ...