Some Newer Work...Based Loosely on Some Older Work

I've always been fascinated by the paintings of both Albert Pinkham Ryder and Marsden Hartley. That I've found enjoyment in both shouldn't come as too much of a surprise to anyone familiar with either. They are linked in their way. A young Hartley held Ryder in high regard, going so far as to embark on a series of tonally dark works after viewing Ryder's "Moonlight Marine" in 1909.

Moonlight Marine by Albert Pinkham Ryder

Ryder (as is often noted), serves as a kind of bridge between the romanticism of the late 19th Century and the modernism of the 20th Century. Hartley, coming later, worked through a series of different styles and approaches over the course of his career. While he didn't always stick close to Ryder's style, drama and emotional content were always part of the formula.

Storm Clouds, Maine by Marsden Hartley

Recently, I did a few small painting based on what Ryder and Hartley were working towards in the paintings above. It's a little embarrassing to think about these works in the context of such great painters, but that's actually a big part of art making for me. I see the progression of art history as a kind of dialog. In this case, Ryder and Hartley made a statement about their environment, and I've created a response.

Night Sky by Jeff Regensburger

Night Sky #2 by Jeff Regensburger

So, there's a couple recent things. Obviously there's no tornadoes in them, but there is some other stuff going on. I've been knocking around a couple other ideas too, so I might put the tornadoes on hold for a bit. We'll see.

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The Ohio Historical Center: A Defense

A couple weeks ago I was contacted by Carrie Ghose at Business First to share my thoughts on architecture in central Ohio. The recent controversy surrounding the new Student Union at Ohio State had apparently sparked a number of conversations regarding what constitutes "good" building design. Carrie was following that story , and developing a second piece to get feedback on other notable Columbus buildings. At the time I offered a staunch a defense of what I believe might be the most maligned and misunderstood building in central Ohio, the Ohio Historical Center. Business First wasn't able to run the whole piece, so I've decided to turn it into a blog post. photo courtesy of OHS/ www.ohiomemory.org The refrain is a as old as the building itself, "It's ugly. It's just a giant brown box. It doesn't even look like a museum". Sadly, it's that exact line of thinking that poses the greatest threat to the building Architectural Record referre...

#library30

On Wednesday April 1, 2026 I'll be rebooting the #library30 photo challenge and inviting people to participate in this year's event. What is it? Even though I work in a library, it's not uncommon for me (and others in the field) to look to related cultural institutions for new ideas and new perspectives. That's how #library30 happened. My wife (who worked directly with museum professionals at the time), alerted me to the #museum30 initiative that had been launched by Magnifying Zoology in 2017. The premise was pretty simple. Participants worked from a set of daily prompts and posted pictures on social media related to the prompt along with the #museum30 hashtag. As I followed that hashtag and saw the amazing stories that were being shared, I thought, "Libraries should do that...". And #library30 was born. A plain text list of these prompts are provided at the end of this blog post. How does it work? All you have to do is upload a photo related to the dail...

Hashtag WIP

After spending much of the last six months negotiating work, planning for work, talking about work, scheduling work, rescheduling work, and waiting for weather that might accommodate work, I'm happy to report that work has commenced. The Akron almost mansion has recently enjoyed the fruits of many a laborer, and the results are becoming almost photogenic. So, in no particular order, here is an update of what's happened since my last post. A wooden door with a crystal doorknob is pictured against a light blue wall. We have removed more wallpaper. This picture is from an upstairs bedroom and is notable as that means all the wallpaper on the first floor has been removed. I like the color and composition here, and offer this as a good example of how most of the interior rooms were handled. Trim throughout the house is painted that creamy white, and all interior doors have maintained their original finish. Remember pals, these houses are only original once. A pink bathroom sink hang...

On Summit

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