Skip to main content

Let's Check In at Jeff's Studio!

"So Jeff, how are those paintings for your November show at the Faculty Club coming along?"

Funny you should ask. I was just working on them today.

It should come as no surprise to anyone who knows me that I'll be taking this deadline right down to the wire. I've got six more paintings I need to finish, and about a six weeks to complete them in. That should be just enough time provided I can stay on pace and finish one a week.

Today's visit to the studio sees the following works in progress. I've been doing mostly sketching and underpainting right now, though we did see one painting completed and two stalled.

 
 These are the undepaintings for Midst Steam and Smoke (after Adamson) (left) and Master Keim (after Eugene) (right). So far so good, though it's still early. Good underpaintings are nothing more than a promise.

This is the finished underpainting for The Ring Toss (after White). I'll start working in some colors next (also known as place where I'm most likely to lose the plot and create a muddy mess).

This painting's done, which means I've more or less fought it to a draw. I've painted a bunch of these boats with varying degrees of success. In this case (#12), if Hackman Frames can come up with a good matching silver frame (in a nice cove molding) it should look pretty good. Don't underestimate the value of a good frame. Seriously.

These are awful. I've lost track of how many bad painting of this photo I've done. I really don't understand what the problem is. It's pretty straightforward stuff; landscape painting 101: sky, trees, haystacks, and done, right? Nope. For whatever reason I just can't seem to get anything I'm satisfied with.

And finally, this would be the an example of the Taylor Swift fan art project that's been interrupted by this year's show. I started a couple of these back in January but then stopped once I realized exactly how much work I'd need for November.

Once I get through the November exhibition I'll be getting back to these. My goal is to do 12 of them at 12" x 12" and then hopefully show them as a group somewhere. After that, well, I expect I'll have 12 paintings of Taylor Swift, because honestly, who would buy them?

Comments

Popular posts from this blog

The Ohio Historical Center: A Defense

A couple weeks ago I was contacted by Carrie Ghose at Business First to share my thoughts on architecture in central Ohio. The recent controversy surrounding the new Student Union at Ohio State had apparently sparked a number of conversations regarding what constitutes "good" building design. Carrie was following that story , and developing a second piece to get feedback on other notable Columbus buildings. At the time I offered a staunch a defense of what I believe might be the most maligned and misunderstood building in central Ohio, the Ohio Historical Center. Business First wasn't able to run the whole piece, so I've decided to turn it into a blog post. photo courtesy of OHS/ www.ohiomemory.org The refrain is a as old as the building itself, "It's ugly. It's just a giant brown box. It doesn't even look like a museum". Sadly, it's that exact line of thinking that poses the greatest threat to the building Architectural Record referre...

The Problem With Librarian Problems

So it's come to this; a curmudgeonly blog post about the state of the profession (complete with finger wagging, tsk-tsking, and even a little SMH thrown in for good measure). "Shake your fist at 'em Pops. These kids don't know from librarianship". That's how you do it, right? Oh, the irony. I've spent 15 years in the profession deriding Will Manley and his hectoring ways. Now I've apparently become him. Point being, I'm acutely aware of all the contextual layers of this post. I know the implications and risks of saying, "Hey, that's not cool". I've been around long enough to know how easy it is to dismiss the contrarian stance; to push back against even the slightest hint of correction (Trust me, I've done it plenty of times myself). More to the point, I've been around long enough to know how easy it will be to dismiss what I'm about to write. Please don't. It's important. It's important to us individua...

Can Retro Design Be Great Design?

It appears that Spyker (the high-end Dutch sports car company) is making plans to develop a car based on the original Saab 92 (1949-1956). If you've been following the tales and travails of the Saab brand you'll recall that Spyker saved t he car maker from almost certain liquidation after GM cut the Swedish niche-brand loose last year. Having been a Saab loyalist for nearly 20 years, I'm thrilled by the idea of a resurgent Saab entering the market with a new direction and focus (most Saab fans look on the GM years as time lost in the wilderness). And while I've always understood the 92 to be a lovely little post-World War II car (and quite innovative for its time), it raises an interesting question about what constitutes great design. Namely, can retro design be great design? It's a question worth asking since we're clearly living in a time when re-manufacturing the past has become a common practice. Whether it's cars (like the MINI Cooper , VW Beetle , a...