THE PARTY I'm late to the party. Again. Two parties, actually. HOW LATE? A couple decades when it comes to the feminist critique of Bruce Springsteen. That may have peeked in 1992 with the publication of Pamela Moss's Where Is the "Promised Land"?: Class and Gender in Bruce Springsteen's Rock Lyrics . And Lydia Loveless? Late again, this time by a few years. While my tastemaker friends (who are legion) were enthusiastically extolling the virtues of 2011's Indestructible Machine , I was still in the throws of a prolonged summer crush involving Kelly Clarkson's pop masterpiece All I Ever Wanted (which I'd been listening to more or less on infinite repeat for two years). It wasn't until last fall that I waded into what is arguably the shallow end of the Lydia Loveless pool. I was at Lost Weekend Records , having recommitted to the idea of "supporting the scene" by purchasing local music from a local store. Truth be told, I don'...
On Summit provides occasional updates and content from Jeff Regensburger. Mostly it's about art, but there might be stuff about friends, music, museums and libraries too.