Thursday, December 31, 2009

Inside the Artist's Studio


I started this blog ostensibly to keep people up-to-date about my art stuff. It's obviously kind of drifted a bit from that, so I thought I might make a post that gets us back on track.

Plenty of people have seen art in galleries and museums, but they're not always privy to what goes on behind the scenes. To address that, I took a few snapshots of my workspace in the hope of giving readers a glimpse of how a painting comes together.


I do some work on the easel thing, but most of the painting happens at this table. As you can see, these aren't laboratory conditions I'm working in, but it gets the job done. The painting you see on the table is one that's just about finished.


Obviously my space is as much about storage as it is about painting. That's because I make more work than I sell. If you have any ideas about how I might rectify this situation, I'm all ears.


This is a longer shot of the work table. There's not a lot of natural light in this room, so I do the best I can with a couple different floods (one warmer and one cooler). It's funny, but sometimes I don't even know what a painting really looks like until I take it to my framer. I'll look at it as I'm walking to my car, and go, "Oh! that's what you look like!". I suppose that makes me kind of hack in the eyes of Monet and and all the plen aire purists, but it's not like I'm painting nature...well I am I guess...but more like photographs of nature.

So, that's the tour! Glamorous, right? Yeah, I know...

Wednesday, December 30, 2009

Army of Santas

Unbeknownst to even her closest friends, my wife has put together an admirable collection of vintage Santas (mostly small, and of the post-war "Made in Japan" variety). Having always been personally amused and intrigued by these sometimes scary looking knick-knacks, I've decided to share them with the larger world. So, while we're still technically in the Holiday Season, I present our Army of Santas!

( I hope too that Hal Mooney's arrangement of the "Dance of the Sugar Plum Fairy" will be ample compensation for my mostly pedestrian camerawork).

video

Saturday, December 5, 2009

The Ohio Art League Thumb Box Exhibition 2009

There's nothing quite like the familiar look and feel of the Ohio Art League's annual Thumb Box exhibition to make their new south campus gallery space feel a little bit more like home. For those of you haven't heard the news, the OAL recently moved out of their venerable Short North storefront to take up residence in what's being billed as the Arts Alley at South Campus Gateway. Thankfully, the big move didn't disrupt their schedule, and this December, as in year's past, the gallery is brimming with small works designed especially for the Holiday shopping season.

A slight tweak in this year's guidelines has allowed artists to submit up to three works for exhibition (prior years limited submissions to one per artist). This procedural change has added to both the number of works on display, and in some small way, the consistency of the show. It's certainly a benefit to the viewer, whose eye can now rest occasionally on a repeating color, shape, or theme. Similarly, it benefits the artist, who can show at least some themes or styles across a number of works. As in years past, none of the works measure larger than 6" x 6" x 6".

OAL afficianados and local art enthusiasts will recognize many of the regular artists submitting works. Laura Alexander, Sarah Fairchild, Adam Brouillette, Dan Gerdeman, Sharon Bell and Mabi Ponce de Leon are among many of the better known artists with works available for purchase. This year though, I found myself equally enchanted with some names I wasn't as familiar with. Fred Fochtman's three paintings (Smith Farm, Jon's Stuff, and Tea Time) are charming and well-executed. They demonstrate an ability to paint what's seen with economy and confidence. While Fochtman's approach is fairly traditional, the adventurous compositions and croppings make for some dynamic work.

Another artist new to me was Angela Matteson. Her submissions (Starving Squirrel, Not to be Trusted, and The Whale and the Boy) have the look of illustrations from some yet unpublished and none too happy children's stories. They're literal, allegorical, whimsical and scary all at once. While it's clear that Angela's strong suit is illustration, there is a enough going on in the paint that it's easy to imagine her exploring those possibilities in the future. Angela appears to keep her blog up to date, so do follow her adventures if you like what you see.

The work of Ryan Walters caught my eye as well. He submitted three small studies (Apple Study #1, Apple Study #2, and Apple Study #3) that are spare and elegant. Each one has a somewhat unique take on the idea of the apple (and the idea of a study), ranging from the zen-like approach in #1 to the muted color field in #3. These works seem at once monumentally gestural, but also very intimate. It's a neat trick he's done, and one that made me wonder what his paintings not restricted by size might look like.

Obviously this is just the tip of the iceberg. There are dozens of other artists on display and close to 200 works on view. Mixed media, sculpture, photography, and even a shrimp study crocheted out of copper wire (thank you Esther Chung). If there's an art lover on your shopping list, make sure you stop by the new OAL gallery space and see this year's Thumb Box exhibit. It runs now through December 23rd.