Carrie was following that story, and developing a second piece to get feedback on other notable Columbus buildings. At the time I offered a staunch a defense of what I believe might be the most maligned and misunderstood building in central Ohio, the Ohio Historical Center. Business First wasn't able to run the whole piece, so I've decided to turn it into a blog post.
photo courtesy of OHS/www.ohiomemory.orgWhen it first opened in 1970 the Center was lauded by the American Institute of Architects as bold and imaginative. To this day, architecture aficionados recognize the building as one of the premier examples of Brutalism in the United States. Brutalism, as evidenced by the Center, favored the honesty of exposed concrete and modernist block forms over more decorative, bourgeois flourishes.
photo courtesy of OHS/www.ohiomemory.org
The word ugly gets tossed around a lot. It's been used to describe many of art's most iconic achievements (The Eiffel Tower, Jackson Pollock paintings, and punk rock come to mind). I expect there's a lesson in there. When you hear the word ugly, look a little closer and dig a little deeper. What you might find is something innovative, challenging, unexpected and unique.
Excellent! I'm no architecture expert, but I do like modernism, and I've always found the Ohio Historical Center interesting. It's nice to hear good reasoning for that from someone who knows what he talking about.
ReplyDeleteThanks Jen. I'm no architecture expert either. My wife works at the Center though and was kind enough to school me on the building's design. If I know anything, it's thanks to her!
ReplyDeleteNice post! Have to admit I haven't been a big fan of the structure itself, but your post here is making me take a closer look.
ReplyDeleteI see the link to the block house, but it is a tenuous connection to Ohio's past. Proportionally it has way too small a base to claim a design link to block houses. That same issue affects its overall balance. Modernists love to defy gravity, but when you have that small a base with such a massive upper deck the end result is to create the impression of a building about to come crashing down. While it won't collapse it doesn't give one a sense of comfort.
ReplyDeleteIt is not that the building's critics are bourgeois or ignorant, it is that they are going with their gut, and their gut tells them this is all wrong. Good design takes into account our natural instincts and how we process images. If you have to educate people on why it is a great design you probably did something wrong.
I don't dislike all modernism, and I even see some value in this building, but I get tired of getting lectured to by designers and their fans who assume it is my lack of training the keeps me from recognizing their brilliance.
I write on architecture at http://www.house-design-architecture.com .
Jeff
ReplyDeleteI suspect, as an artist you look to the meaning of things and your insight into the Ohio Historical Center is revealing and well done. The OHC is a monument of and for the state of Ohio. W. Byron Ireland began his architectural career working for E. Saarinen, who's sculptural architecture is astounding. The influence comes thru here. I agree the OHC was heralded when open, award winning, and widely admired then and by many to this day.
To the critics, kindly reference Theodore Roosevelt's speech "The man in the Arena"
John B.
Jeff
ReplyDeleteI suspect, as an artist you look to the meaning of things and your insight into the Ohio Historical Center is revealing and well done. The OHC is a monument of and for the state of Ohio. W. Byron Ireland began his architectural career working for E. Saarinen, who's sculptural architecture is astounding. The influence comes thru here. I agree the OHC was heralded when open, award winning, and widely admired then and by many to this day.
To the critics, kindly reference Theodore Roosevelt's speech "The man in the Arena"
John B.
The expansive terrazzo floors were designed and created by Feruccio DelCol in one of his last large works.
ReplyDelete